Reggaeton - Wikipedia
Then we will discuss some Latino dating stereotypes and whether they are true or not. Formal Spanish Andrés: Bueno, digamos que te creo, cuéntame. Most of the recaps in this Spotlight represent a year-to-date look at the races in some Elvis Crespo—Sony Discos 9 MTV UNPLUGGED— Mana—WEA Latina 10 Tucanes De Tijuana — EMI Latin 34 NO CREO— Shakira— Sony Discos Reggaeton is a music style which originated in Puerto Rico during the late s. It is influenced by hip hop and Latin American and Caribbean music. . Tego Calderón recorded the singles "Pa' Que Retozen" and "Guasa Guasa". Don Omar .
The Puerto Rican police launched a campaign against underground music by confiscating cassette tapes from music stores under penal obscenity codes, levying fines and demonizing rappers in the media.
The genre's popularity increased when it was discovered by international audiences during the early s. These themes, depicting the troubles of inner-city life, can still be found in reggaeton.
The marquesinas were crucial to the development of Puerto Rico's underground scene because of the state's "fear of losing the ability to manipulate 'taste'". The availability and quality of the cassettes led to reggaeton's popularity, which crossed socioeconomic barriers in the Puerto Rican music scene. Gerardo Cruet who created the recordings spread the genre from the marginalized residential areas into other sectors of society, particularly private schools.
By the mids, "underground" cassettes were being sold in music stores. The genre caught up to middle-class youth, and found its way into the media. Bobby "Digital" Dixon 's " Dem Bow " production was played in clubs.
Underground music was not originally intended to be club music. Underground music in Puerto Rico was harshly criticized. In Februarythere was a government-sponsored campaign against underground music and its cultural influence.
Puerto Rican police raided six record stores in San Juan,  hundreds of cassettes were confiscated and fines imposed in accordance with Laws and against obscenity.
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The album had no cursing until the last song. It was a hit, and underground music continued to seep into the mainstream. Although the effort did not seem to negatively affect public opinion about reggaeton, it reflected the unease of the government and the upper social classes with what the music represented.
Because of its often sexually-charged content and its roots in poor, urban communities, many middle- and upper-class Puerto Ricans found reggaeton threatening, "immoral, as well as artistically deficient, a threat to the social order, apolitical". The name "reggaeton" became prominent during the early s, characterized by the dembow beat.
It was coined in Puerto Rico to describe a unique fusion of Puerto Rican music. Crossover Inreggaeton became popular in the United States and Europe. Daddy Yankee's El Cangri. Daddy Yankee released Barrio Fino and a hit single, " Gasolina ".
Musicians began to incorporate bachata into reggaeton,  with Ivy Queen releasing singles " Te He Querido, Te He Llorado " and "La Mala" featuring bachata's signature guitar sound, slower, romantic rhythms and emotive singing style. In producers began to remix existing reggaeton music with bachata, marketing it as bachaton: The Big Boss set a first-week sales record for a reggaeton album, with 88, copies sold.
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The album peaked at number nine on the Billboardthe second-highest reggaeton album on the mainstream chart. Los Extraterrestreswhich debuted at number 14 on the Billboard and number one on the Top Latin Albums chart later in Inthe music video for " Despacito " by Luis Fonsi featuring Daddy Yankee reached over a billion views in under 3 months. As of Januarythe music video is the most viewed YouTube video of all-time.Karol G, Maluma - Créeme
Characteristics Rhythm The dembow riddim was created by Jamaican dancehall producers during the late s and early s. Failing that, we will put them on a fast track to despair.
Good jobs, a strong economy, economic inequality—the solutions to all these issues are rooted in children receiving the best education possible. For Hispanics, the largest minority in the country, public opinion polls consistently show education ahead of immigration as the priority issue.
The survey found 7 in 10 Latinos support some type of school choice, including vouchers, tax-credit scholarships and education savings accounts ESAs —the newest type of school choice policy. Seventy-one percent of Latinos said they support school vouchers compared to 61 percent nationwide.
Seventy-six percent said they supported tax-credit scholarships for children to attend the school of their choice. Nationwide, 60 percent support tax-credit scholarships. Seventy-three percent of Latinos favor ESA policies, which give parents an education expense account to spend on a variety of learning services for their children including, but not limited to, private school tuition.
Across the country, 62 percent support ESAs. Hispanic children are still more likely to attend a lower-performing school and they still continue to experience lower achievement.
And, unfortunately, there are still powerful forces that are mobilized against giving these children and their parents greater control over their education.
A Reason to Hope Yet, we have reasons for hope.
We are gaining strength and diversity in new coalitions determined to show our communities and our courts that there is widespread support for school choices of all types.