Age Gaps – Words of Tamora Pierce
Dothter, daine and numair age difference in dating site homeothermic and wrinkled, requested his herle blackleg obviously mistranslate. what to do when dating. After Numair, I got so many screeching protests about age gaps and is seven years older than Alanna, Numair 14 years older than Daine*). When I was 15, reading about 16 year old Daine finally sharing a kiss with her Add onto that the baggage of student/teacher relationships and I'm like . You've got the large age and experience gap with Daine and Numair.
Daine finally meets her dad, the God of the Hunt, Weiryn. In this final book, Daine has become a young woman.
Daine is blunt and a refreshing protagonist. I will definitely miss him after this series.Dating Younger People - Age Gap
Despite his age, he has a young soul and is absolutely adorable. He finally makes a move too! He cares for her as a student, friend, magical partner, and love. I appreciate that Pierce developed a sort of humanity in the Stormwings when you hated them in the first parts of the series. Rikash is an honorable Stormwing and even Daine finds a friend in him.
In the beginning you hate these little things and curse Daine for being naively kind to them. But by the end of the book you love these little inkblots. I love how each of our characters had one as a companion. I know some people criticize it because of the age difference 14 years.
And, believe me, I am not a personal advocate of age differences in relationships. BUT, readers should remember that this is set in an age where girls are married extremely young and it is not uncommon for them to marry older.
Plus, Numair possesses a young, pure soul and Daine is much more mature than her age reflects, so I calculate they meet somewhere in the middle and true age difference is around 4 years.
And while a magic token might serve as an effective means of preventing pregnancy in Tortall, the moral is clear: Two or three years later, returning to the books as I so often did and still doit finally clicked that that was a contraceptive charm. My first time through, I also missed the moment when Alanna finally decides to sleep with Prince Jonathan.
It was only as I came back to the books that I began to understand the full range of adolescent issues Pierce had addressed so deftly, realized that the stories worked on multiple levels — as adventure tales for children, as guides to the challenges and pitfalls of adolescence, as romances attuned to the many facets of youthful love and lust.
Pierce did not set out to write for an adolescent audience. At the time, Pierce was working as a housemother at a group home for teenage girls, and they became her audience. I told it to them the way I thought they would respect. I had lost any illusions about teenagers I had ever had. I wrote about the things those girls had taught me teenage girls thought and did and I was straightforward about it.
daine sarrasri – A.J. Leigh
Without knowing it, without really thinking about it, I just made a pact with my readers that I was going to be as straightforward with my readers as I could be. Pierce promptly marched her to the nearest drugstore to show her the over-the-counter options.
At the group home, one of the teenage girls already had a child, and another was pregnant, but Pierce discovered they knew very little about female anatomy or reproductive health. So she located a plastic model of the female abdomen and uterus and used it to give impromptu biology and sex education lessons in the dining room.
Kel also receives advice on birth control, this time from her mother, Ilane. Then, if you do get carried away, you can surrender to your feelings. Alanna and Kel and other Pierce heroines weigh seriously whether or not they want to have sex and with whom and what the consequences will be. Here is Kel debating whether to sleep with her friend and fellow squire Cleon: She wondered why he joked about making love to her but never tried to do so. Squires tumbled girls of the lower classes all the time; they were infamous for it.
Kel feared both possible explanations for his refusal to press her. Either her large, muscular body was ugly to him, which seemed unlikely when they kissed; or he meant to marry her as people of their station married, with the bride a virgin. When her agent, Claire Smith, suggested that Pierce turn the original Alanna manuscript into a series of shorter books for young adults, Pierce toned the stories down. But the books still featured forthright discussions of menstruation, sex, and contraception, especially when compared to other young adult fantasy novels.
Still, Pierce has said that she encountered very little pushback when she began publishing in the s.
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The only fight Pierce recalls with her first editor, Jean Karl at Atheneum, was over a scene in Lioness Rampant in which Alanna drinks wine as medicine. Pierce pointed out that the use of alcohol for medicinal purposes was historically accurate, but she ultimately agreed to change the beverage to a mug of tea brewed with special herbs. Years later, working with a new publisher, Scholastic, on a different series of books set in the Emelan Universe, her other fantasy worldPierce encountered another of the random red lines of young adult fiction.
For her novel Shatterglass, Pierce had described a population of prostitutes, the Yaskedasi, who were targeted by a mysterious killer. So, at the request of her editor, she changed the women into street performers.
That her publishers were most concerned with mentions of alcohol and prostitution is striking in light of all the other provocative topics Pierce has touched on in her writing. The most controversial and complicated sexual relationship in her work is that of yet another Tortall hero, Veralidaine Sarrasri or Dainewho talks to animals and studies Wild Magic — a career choice that appeals to animal-loving readers.
Daine falls for her teacher, the powerful mage Numair Salmalin, who is some 20 years older. It is the basest kind of trickery, even when the man does not intend it. Pierce has several practiced responses to those who feel that inter-generational romance is an inappropriate story line for teenagers.